The museum trades dinosaurs for climate activity as political messages continue


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On a recent swell day, I realized I needed indoor activities for me and my six children. Living near the country’s capital, some of which also offers perks at the Smithsonian Museum. So we headed to DC for air conditioning and cultural doses.

When we came in, we were greeted by the relics of the pandemic era. For 2021, signs listing “recommended” health and safety measures such as masking, social distancing and disinfection have finally reopened the museum after more than a year of Covid-19 closures.

Our 4 year old girl chose her destination: the Smithsonian National Museum of Natural History, especially dinosaur Bones and dioramas. But we quickly got more than we negotiated. The large section of the exhibition is dedicated to the asteroid that wiped out the dinosaurs; Climate change.

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This was not surprising. We’ve come to expect ideological hector rings in the Smithsonian. It often feels like there is a parallel warning at the National Zoo that all exhibits on animal habitat and diet are extinct due to climate change.

Part of the climate change exhibition at the Smithsonian Museum of Natural History. (Photo: Bethany Mandel)

Part of the climate change exhibition at the Smithsonian Museum of Natural History. (Photo: Bethany Mandel)

“Hey kids, are you enjoying Zebra? Great – because he’s probably not going to make it, thanks to your parents’ SUV.”

Messaging is just as disastrous at the Museum of Natural History. Except this time, humans are endangered species. One exhibit states, “The Earth’s climate has warmed since the last ice age, but now it’s faster for us.”

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The message is clear: “Dinosaur bones, I hope the kids liked it, because we might be next.”

However, climate change is not the only story on display.

Visitors take large quantities of the National Museum of American History Diversity, Equity, and Inclusion (DEI). Despite celebrating the 250th anniversary of America’s founding, there were no visible exhibits or events celebrating the milestone. In the week ending July 4th, the museum’s homepage highlighted four features: lunch counter sit-ins, women’s voting rights, 19th century black firefighters and community centers for pregnant Latina immigrants. The Smithsonian did not answer questions about the deadline.

As one historian told me, “Perhaps the most popular second-floor popular culture exhibition at the museum is the Marxist struggle session. All exhibitions are interpreted through the gender lens of the race class.”

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This pattern is not limited to Smithsonian systems. Two years ago, at the Hirshhorn Museum, my kids picked up a book for children entitled “My Own Way: Kedning Freedom for Kids.” One page says, “You could be both… you might not be there!” Another shows a naked child looking at the clothesline with the caption “Your truth is not hidden under your clothes.”

Even museums outside the capital, many of them still receive federal funding, but reflect the same theme. Recent Visits Chrysler Museum Paintings and sculptures were expected to be seen in Norfolk, Virginia. Instead, my kids were drawn to an exhibit filled with video screens entitled “Jamestown is Sinking.”

The Chrysler Museum includes this awakening exhibition focusing on this topic. "Jamestown is sinking." (Photo: Bethany Mandel)

The Chrysler Museum includes this awakening exhibition focusing on this topic. “Jamestown is sinking.” (Photo: Bethany Mandel)

According to the exhibition’s description, “Jamestown is sinking in the photo series and Greta Platt, whose video installation interprets, explores the relationship between climate change and colonialism in the tidal water region of Virginia.

In other words, climate change, colonialism, capitalism – buzzword bingo in a single art exhibition.

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The Chrysler Museum is not funded by taxpayer dollars alone, but has received $1.2 million in federal grants from institutions such as the museum and the Institute of Library Services for many years.

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An obvious question is raised. Why does our taxes underwrite this?

Eric H. Neal, director of Macon and Joan Brock at the Chrysler Museum, defended the exhibition. Significantly to citizen discourse, and we remain committed to presenting a broad perspective without limiting artistic expression. ”

There is a faint hope. At the Kennedy Center, Richard Grenell began cleaning the house. This is a long-standing shift that could mark a turning point.

As one historian told me, “Perhaps the most popular second-floor popular culture exhibition at the museum is the Marxist struggle session. All exhibitions are interpreted through the gender lens of the race class.”

And it appears that the problem is already on the radar of the government. Earlier this month, the Wall Street Journal The Smithsonian has received drastic reviews Of all the content of the 21 museums and zoos, we eliminate political bias. According to internal documents, the decision was made during the June 9 meeting of the Closed Area Committee. The review follows President Donald Trump’s March executive order, calling for a restoration of exhibits that reflect “inappropriate, division, or anti-American ideology” and “American and Western values.”

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The clock is ticking as more than 30 million visitors are expected to descend to Washington, DC next year for the country’s semi-calcentennials. If nothing changes, they step into the American History Museum and leave on a guilty trip rather than celebrating our founding.

Time is the essence.

For more information about Bethany Mandel, click here

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