Building “electrical states”: Russo Brothers share their vision
Electrical condition It’s Netflix’s latest big-name sci-fi adventure film. The film, which premiered on Streamer on Friday, was Simon StorenhuggA dystopian graphic novel. Take viewers to an alternative version from 1994. Even after the civil war between robots and humans tore the city apart, it is set in a very different-looking America, with the country facing the backdrop.
If it sounds dark, that’s precisely because the original subject matter is. Stålenhag’s story, like many of his works, is loaded with beautiful images that offset the sad story.
In electrical state, Millie Bobby Brown He plays Michelle. Michelle is a young woman who challenges apocalyptic maw to find an apocalyptic brother. The remains of the robot war trash the American countryside, making missions seem impossible. That’s until she meets Keats (played by Chris Pratt) and his robot sidekick Herman (voiced by Anthony Mackey). Together, they face a cavalry of strange characters and fight the odds to reunite with their younger brother and potentially with humanity itself.
If that sounds a bit schmaltze, then that’s right. And it’s all by design. As you know, this version of electric state – now the most expensive movie Netflix has ever made – has a completely different tone from the beloved book it is based on. This change in tone was a point of attachment for many critics. However, there is a clear reason for this change.
Like a producer friend, I want to say, There was a meeting. This was a collective decision Russos made at Stålenhag. During my Zoom conversation with Joe and Anthony Russo, I started my lecture using this topic.
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Millie Bobby Brown stars as Michelle in Netflix’s electric state.
“What we loved most about our electrical state was the artwork and theme,” Joe Russo said. “But as parents, we felt that themes — and that these are themes about technology and dependence on technology — will most resonate and impact with younger audiences who are more immersed in technology than older audiences.”
Accessibility was important. And it wasn’t just Russo’s brothers who felt this way.
“Simon Stålenhag also had a child and I agreed,” he continued. “So we came to that conclusion. You can tell the story in any tone and you can go in any direction you want. You’re going to adapt it to a new form of its own. So it was to change the tone and reach that younger, wider audience.”
Two themes reappear throughout the film’s runtime of more than two hours. The implementation of technology in our daily lives and the accompanying mutilation of humanity due to dopamine addiction. I’ll rephrase Kendrick LamarRussos tells younger viewers to “turn off the TV.”
Chris Pratt is Keats and Millie Bobby Brown is Michelle in electric state on Netflix.
But how do they harmonize the fact that they relay this message and reduce screen time through the stories they have to show on screen first?
“There are so many ways to reach a wide audience,” Joe Russo said. “Whether it’s a movie screen, a TV screen, or a phone screen, they all claim to have positive and negative things. In many ways, you’re separating from the world to see the story. Can the story be brought to mind at the same time as what is seen as an overload of the story to escape reality? The issue of undiagnosed anxiety and depression.”
It is worth pointing out that this is not an anti-technical propaganda film. It would be too easy to move in that story direction. “I agreed, saying that the message of this film wasn’t. Do not use technology. ”
He continued, “It’s about the paradoxical relationship with technology and the fact that there is a positive aspect to technology. There are real human connections that can be found in technology, but you can also find the opposite.”
Chris Pratt’s Keats and Millie Bobby Brown’s Michelle Stand are with Herman and Cosmo, the robots in electrical state on Netflix.
He cited two examples of the film to support this statement. Keats’s genuine and loving relationship with the robot Herman and Michelle’s use of technology to free her brother.
There is no discussion of electrical states without talking about fascinating visual effects. It’s safe to say there were more robots than the actual human characters in the film. Tackling these creative challenges means that technology works tirelessly to ensure the appearance and feel of the analog. I admit that it was difficult to distinguish between actual effects and CGI. It is an accomplishment of its own.
So how much digitised and how authentic was it? There are no accurate statistics. “Whenever an actor is interacting with a robot, he casts those robots,” Anthony Russo said. More specifically, they cast talented motion capture actors to play those robots.
“They are real, fully-sized actors who trained for weeks, rehearsed for weeks, and helped develop those characters for weeks before hitting the set,” he continued. “In terms of how they moved, we had performers playing those robots on set.”
The development of these unique robot characters never stopped.
“Many of these robots have been expressed by more well-known actors,” Anthony Russo said. “We show those actors the conceptual art we had for the characters, reduce the performance of their voices, and use that audio performance in the motion capture theatre company.”
The finished product was here after two years of post-production, during which time it was implemented with more refined digital graphics. “It took a long time in the post to make something like that look real,” Anthony Russo said. “There were so many layers, and it was a commitment to a very realistic, tactile onset performance between the robot and the actor.”
The robot apocalypse looks a little different on Netflix’s The Electric State.
It’s been almost three years since Anthony and Joe Russo began shooting electric states. Through our lectures, it was easy to see how connected they remained to the subject and each other regarding their love of conveying emotions through stories. As Anthony Russo says, it is the bond he hopes viewers will experience the film together.
“It’s a powerful form of human connection and of course a big theme in the film,” Anthony Russo said. “How do you bring people together? How do you connect friends? Family? How do families transcend generations? Can it provide people with a common experience to share and become touchpoints to each other in terms of emotions and intellectual ideas? The theme of the film simply hopes that people can have from the experience of coming to the film.”
With a known laugh from his brother, Anthony Russo said with a heartfelt smile and said, “That’s really what we fell into the movie first,” and ended our story.